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Lance Perl

Sound Designer and Audio Engineer

About Me

Lance is a sound designer and sound engineer who will soon be based in Washington DC. He holds a BA in Theatre with a concentration in Design and Technology. He also has a BA in Wilderness Leadership and Experiential Education from Brevard College. Additionally, Lance recently graduated with a Master's degree in Sound Design at the University of North Carolina School of the Arts.

 

Lance has designed for a wide variety of productions including musicals, new works, film, festivals, and concerts. When he is not in the theatre, Lance is likely out in the woods getting lost in the beauty of nature. 

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His most recent contract was on the audio team of the Broadway National Tour of Fiddler on the Roof.

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Why Sound?

     I was always taught to express myself. As a child, my time wasn’t spent playing video games or staring at the computer. Instead, I was playing with Legos or Lincoln Logs. Depending on the day, I would go outside and spend hours inventing games to play with my best friends, pretending for example that a stick, a basic and uncomplicated item, could be magic. Magic that could transport us into a world of creativity and imagination. To me, that’s what theatre is. It is a chance to create and reveal an imaginary world that can bring a spark of hope into the darkness.

 

     As a sound designer, I am given the chance to freely create a realm in which the story takes place. Just like as a kid, I use something invisible to create something that can be larger than life. To most people the idea of pursuing sound design as a career is foreign, often I get asked why I want to spend my whole life crafting something that will never be seen. It is that exact reason why I love audio so much! It’s an art form full of emotion, creativity, and flare. No one needs to see it to experience it. It's subjective and always provides a new challenge. 

The Brevard Music Center

Recoding Engineer - 21'

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BMC GREATEST HITS CD

RECORDED AND EDITED BY LANCE PERL

CORIOLANUS

DrafteD by: Lance Perl 

UNCSA

The DFR Room

The following samples are recording presenting my work as a live sound engineer. 

 

Pretty Little Goat 
Recorded at the DFR ROOM

Hover here to listen

Pretty Little Goat String Band - Recorded by Lance Perl
00:00 / 00:00
Clint Roberts
at 185 King Street

Hover here to listen

Red and Gold - Recorded by Lance Perl
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Sound Samples

There are 6 variations of this transitional sound. Each plays for about 15 seconds during the show to help "reset" the scene for the audience. Each scene is its own story and I made that clear by emphasizing certain clocks that directly pertained to the scene. For example, the scene Words Words Words has a coo coo clock that is elevated within the cue.

 

Many of the traditional cues have sounds associated with one particular scene. After the scene, that sound can no longer be heard. By the final transition, clarity is found within

00:00 / 01:04
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All In the Timing

All In the Timing

All In the Timing
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Degas, C'est Moi

Degas, C'est Moi

15:53
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WWW - The Alarm

WWW - The Alarm

00:41
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The Death of Trotsky

The Death of Trotsky

07:25
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Climatic Highlights

Climatic Highlights

06:55
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Boeing Boeing
Curtain Speech

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Boeing Boeing Preshow Announcement Recorded by Lance Perl
00:00

Brother Wolf
sound Sample

Grindell's ThemeLance Perl
00:00
Grindell's Maw's Theme Lance Perl
00:00
The Deep Dark ForestWhere Grindell's Maw Lives.
00:00
Rattler Man's Theme
00:00
Ring of Light Bulbs

Collaboration is not about gluing together existing egos, it's about the ideas that never existed until everyone was in the room. - Unknown

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